Monday, May 31, 2010

Tattoosday Goes to Hawai'i - Sylvia's Back Piece

The one day in Hawai'i when I didn't take any tattoo pictures, I did pass out a few fliers. One I handed to a woman sitting in a chair at the Safeway Center on Kapahulu Avenue.

She had what appeared to be an incredible back piece, the top of which was visible to passers-by.

Sylvia later e-mailed me and shared a link to a site that featured a photo of the tattoo, along with an explanation of the piece. I have extracted it here for the enjoyment of the Tattoosday audience.

First, the tattoo:


Sylvia explains:

"My tattoo represents my ancestry...from the family of the 'Royal Hawai'ian Ole' (chanters of the Alii court), from the snowy mountains of Japan, the homeland of Portuguese Bean soup, and the inter-mix marriages of American Indians and Puerto Ricans. I believe the seven I have on my back describe who I am the best. Most locals have meaning for their tattoos but we also have people like Lindsay who just go with their flow. Many families have several signs that make up their families even as far as the Scottish Clan "Duncan" like me..."

What's wonderful about this tattoo to me is that Sylvia has incorporated so many cultures and motifs into the design which, as she acknowledges, is based on the wonderful mix of heritage and ancestry that comprises her background. This is very typical of people who live in Hawai'i, which is host to such an explosion of multicultural intermingling.

I love how the honu/sea turtle brings all of the elements together. The eagle, dragonfly, bear paw, wolf, buffalo, and shark all join to provide a rich tapestry of images that each speak to a different aspect of her heritage.

Sylvia's tattoo was inked by Joseph Garcia, Trigga Happy Tattoo in Waipahu. Eagle, Dragonfly, Bear Paw, Turtle, Wolf, Buffalo, and Shark.

Thanks to Sylvia for responding to me initially and for sharing her tattoo via her post here. We here at Tattoosday appreciate your contribution!

Sunday, May 30, 2010

Eric's Tattoo: Zero the Fool and an Obsession with Time

I met Eric on Seventh Avenue between 23rd and 24th Streets earlier this month.

This tarot card on his left forearm jumped out at me:


Eric is a mixed media artist whose website can be seen here. He is an illustrator and is currently in school studying toy design. The tattoo he has is primarily based on a linoleum block he had created that recalls the Tarot card "The Fool". Because it is an unnumbered card in the deck, it is often referred to as "Zero" or 0.

The Fool often represents the beginning of a journey, oftentimes a "foolish adventure". He had this tattooed to commemorate his decision to move from Boston to New York City. While the decision may not have been foolish, it did mark a new journey in Eric's life.

The card was tattooed by Hannah at Regeneration Tattoo in Boston.

One may have noticed that there is work around the tarot card, as well, so it's only fair to show the piece as a whole:


And the tattoo extends up the arm a bit from the pocket watch on the right:


The additional elements in the tattoo speak to Eric's obsession with the passage of the time. Snowflakes are only temporary as they fall from the sky and melt, or become mixed with other flakes and lose their singularity.

The flowers are imagined creations representing growth. Eric's floral images are inspired by the artwork of Henry Darger.


He also notes that the time piece is cracked and broken:


This, he says, represents the fight against the obsession and paranoia over the passage of time.

The work around the tarot card was all tattooed by Kelly Krantz at the now-defunct Hold Fast Tattoo in Williamsburg, Brooklyn. From what I can tell, Krantz is not currently affiliated with any one tattoo shop.

Thanks to Eric for sharing his thought-provoking tattoo with us here on Tattoosday!

Saturday, May 29, 2010

Erin's Yellow Roses for Her Grandmother

Earlier this week, I met Erin and she shared this, one of her six tattoos:


Erin explained that these yellow roses on her left forearm are for her grandmother, her favorite person. Her grandma's favorite roses are the yellow variety.

Erin credits artist Jesse Gabriel at Halo Tattoo III in Syracuse, New York for this work. Work from Halo has appeared previously here on Tattoosday.

Thanks to Erin for sharing her tattoo with us here on Tattoosday!

Friday, May 28, 2010

The world's most Craziest tattooed woman flaunts her body art

What began as a bid to cover up a nasty skin condition has resulted into a Guiness World Record for an American who has been named the most tattooed woman in the world.

Julia Gnuse - nicknamed the 'illustrated lady' - has 95 per cent of her body covered in ink, ranging from jungle scenes and cartoons to her favourite actors.

Miss Gnuse, from California, started getting tattoos on her legs after developing a skin condition called porphyria, which causes the skin to blister when exposed to sunlight.




She then turned her attention to her stomach, arms and back and before long was addicted to body art.

In an interview, Miss Gnuse said although the ink did not stop her skin from blistering, it covered up the scars and allowed her to be exposed to the sun.

'I did this for the reason of covering scarring from the blisters. They get as deep as three degree burn,' she said.

'I had a friend who is a plastic surgeon, who suggested tattooing my skin the same color to the scarring that I had, seeing if we can match my just pale-looking skin that I had.'

'That didn't work. We tried it. It was very difficult to match that. So I had the idea of a colorful tattoo, then I got hooked. I got addicted.'

Miss Gnuse said there was medication available for her condition, but said taking it could have placed her at risk of blindness.

Miss Gnuse, who unveiled her tattoos at a BookExpo in New York yesterday, said every one of her designs had been created by the same tattoo artist.

Tattoosday Goes to Hawai'i - Hail to the Chief

It's Fleet Week in New York City this weekend, so it only seemed fitting, with just a few Hawai'i posts remaining, that we share the following offering from Jack, a Chief Petty Officer (E7) in the U.S. Navy.

Jack's was the final tattoo I spotted at Pearlridge, on what turned out to be a record-breaking detour for me (five tattoos from five different people in just under two hours).

Jack's tattoo was fresh, as he had just completed a sitting less than a couple of hours before I ran into him, so the tattoo had that film of ointment that added a little glare to the picture:


The skull at the center of the tattoo is wearing a hat similar to those warn by Navy chiefs.

The artist for this piece is known as "Buddha" out of Liquid Metal Tattoo in Aiea, Hawai'i.

Thanks to Jack for sharing this, his newest of over ten tattoos, with us here on Tattoosday.

We here at the site salute not only all the men and women in uniform visiting New York during Fleet Week, but to everyone in all branches of the Armed Forces as we enter into Memorial Day weekend. Thanks to all for their service to our country!

Thursday, May 27, 2010

Tattoosday Goes to Hawai'i - Honu Thursday

One of the most popular symbols in modern Polynesian tattoo is the green sea turtle, or honu, as it is known in Hawaiian.

I saw a lot of honu tattoos while I was in Hawai'i, but I didn't snap any photos of them until my last day on Oahu, when I was wrapping up my trip with a last minute stop at Pearlridge. More specifically, I was at the Pearlridge Longs Drug Store, a great place to stock up on chocolate-covered macadamia nuts, Kona coffee, and other tasty local snacks that are hard to find on the mainland.

While wandering the aisles, I spotted not one, but two honu-adorned locals, who were kind enough to share their tattoos with me.



First was Ash, who didn't say much about the four honu on his left leg, other than the fact that he has "always loved turtles," and that his brother was the artist who did the tattoos.

Next was Chantel, who has this lovely tattoo on her upper back:


This not only has the honu element, but also has a floral aspect, along with a Yin and Yang design.

When I asked her where the design came from, she laughed and said she had seen it on a sticker plastered to the back of a car. She liked it so much, she got some paper, traced it, and brought it into a shop called Big Fat Tatts, where the artist sketched it and cleaned up the lines.

Thanks both to Ash and Chantel, for finally getting me my photos of honu tattoos, just a few hours before returning to New York.

Wednesday, May 26, 2010

A Peek at the Final Issue of Holly Rose Review

 Tattoo by Sean Herman, from the June issue of Holly Rose Review

Considering that one-twelfth of the year, Tattoosday sheds its inkspotting  mission and, instead, plays host to tattooed poets in honor of National Poetry Month, it only seems fitting that I should pay homage to the final
issue of Holly Rose Review.

Holly Rose is the brainchild of Theresa Senato Edwards (who herself is a tattooed poet), who has given us four deliciously beautiful online issues that embrace both tattoos and poetry. The online literary 'zine juxtaposes brilliant tattoo work with the poems of an assortment of diverse and talented writers. Each issue bears a theme, and the last (and sadly, final) issue is "Worry".

What's unique about Holly Rose is the juxtaposition of poetry and tattoos. It's an illustrated volume, but Edwards assembles poems that not only speak to the theme, but almost seem as if they could be captions to the body art displayed. Issue four features tattoos created by Luba Goldina, Sean Herman and Maxime Lanouette. And their work seems to transcend the description "tattoo" as the illustrations serve as works of art that correspond to the themes illuminated by the accompanying poems.

But not every poem has a tattoo with it, which is fine, as it makes the appearance of ink more special, and allows the reader to focus on the poetry, as well. An added bonus is the audio player found on some of the
poems' pages, so the reader can not only read the poem, but hear it in the author's voice. One page even features a video of the poet reading her work.These added dimensions make Holly Rose a truly magnificent experience.

All four issues are currently available for perusal on the website http://www.hollyrosereview.com. If you're not a fan of poetry, check it out anyway and see some amazing tattoos. Maybe you'll discover some poetry you'll enjoy. Issue four features work from Dorianne Laux, Jayne Pupek and Changming Yuan. Issue three contains work from Christine Hamm and Joseph Millar, both participants in the 2010 Tattooed Poets Project. Issue two has poetry by Martha Silano and Daphne Lazarus (whose tattoo appeared here).

It's easy to get lost in the site, admiring great tattoos and reading fabulous poetry, so head on over to Holly Rose and see what a lovely pairing tattoos and poetry make!

Mel's Star Shines from Down Under

Earlier this month, I ran into Mel coming out of Penn Station.

She has amazing work, and it was soon clear why. Mel was visiting from Melbourne, Australia, where she works as a tattoo artist at Get Smart Body Art.

I was drawn particularly to one of her newer tattoos, this dot-style Tibetan-inspired design:


I told her it reminded me of the style of Thomas Hooper, an artist at New York Adorned whose website (here) showcases some astonishing work, including tattoos made from the dot-style technique.

Mel noted that it was an original design that was inked using a rotary tattoo machine, with the purpose of achieving this effect. Thomas Hooper's style, she acknowledged, inspired her to attempt this ambitious tattoo.


In all fairness, she collaborated with Mick Kelly, at Get Smart Body Art, who did the actual tattooing.

Thanks to Mel for sharing this lovely tattoo with us here on Tattoosday!

Tuesday, May 25, 2010

Tattoosday Goes To Hawai'i - All in the Family, Part 5 (Ulu's Amazing Plumage)

In January 2008, when Tattoosday was a mere infant blog, my mother sent me photos of some of the ink my cousins possessed.

I already shared Keali'i's sleeves here, but included in that email from Mom was this astonishing piece from his kid sister, my niece, Ulu:

Photo by Diane Scrafton Cohen Ferreira

I reached out to Ulu (which is a shortened version of her middle name, Uluwehi, which is abbreviated from her full middle name, Kamali'iwahineuluwehi) and we exchanged messages, but we never connected to discuss the tattoo. Then, last month, I was in Hawai'i, at the home of Ulu and her husband Travis.

For the record, despite my inkspotting ways, I was never sure if I'd have the opportunity on this trip to document all my nieces' and nephews' ink. I knew I'd be seeing them, but my purpose for doing so was not tattoo-related.

But as you may have read over the last week, there I was at Ulu and Travis's place, hanging out with family, and the subject turned inky, and out came the camera.

Still, I wasn't sure I would be seeing the tattoo from my mom's photo - Ulu was wearing a dress and I'm always walking on eggshells when it comes to lower back tattoos. But I was taking pictures of everyone else's tattoos and Ulu's back piece was mentioned. She happily changed into sweats so I could take a closer look at this amazing peacock feather tattoo:




One of the things I had always wondered was how far around the feather went. I got my answer soon enough:



As you can see the tattoo dips gracefully down after it rounds the hip. I'm glad I got to see this side because I was able to capture the detail in the color and the tiny pink butterfly near the tip of the quill:



Ulu got this, aside from the beauty of it, to cover up a "tramp stamp" [her words, not mine - no angry comments, please]. The original piece is covered by the eye of the peacock feather.

The artist responsible for this incredible tattoo is Libra, who freelances in Hawai'i, but occasionally does guest spots at 808 Tattoo, and was at East Side Tattoo Studio at the time this was done.

In that original email from Grandma Diane (my mom), she also included the tattoos of Travis, Ulu's husband.

I had never met Travis before, but was welcomed by him as one of the family. I took my own photo of the forearm ink he wears, also by Libra, in honor of his and Ulu's children, Ezra and Trinity.


My deepest and most sincere thanks to both Travis and Ulu, not only for their hospitality and kindness, but for sharing their tattoos with us here on Tattoosday.

This concludes the "All in the Family" subset of the Tattoosday Goes to Hawai'i series. A warm mahalo to all of my nieces and nephews for letting their mainland uncle help share their tattoos with the Tattoosday community.

Previously in the Tattoosday Goes to Hawai'i - All in the Family series:

Part 1, A Preface
Part 2, Keali'i's Sleeves
Part 3, Ikaika, In Progress
Part 4, Lehua's Eternal Tribute to Poppa John

Monday, May 24, 2010

A Cat Named Do

I met Shawn in Penn Station near the Amtrak terminal earlier this month. He was doing what most people are doing when I stop them in Penn Station: waiting for a train.

He was with who I will presume to be his wife and toddler son. I noticed he had tattoos on his arms so I approached him and told him about Tattoosday.

With his wife's encouragement, he pulled up his shirt to reveal this astonishingly unique tattoo:


Shawn drew this design himself. As a person who liked cats, this feline is based on a cat that he once had named "Do" (as in "How do you do?").

"What happened to Do?" I asked.

Shawn looked over at his son and said, sadly, "Do was not a family cat."

Some feline house pets do not like new babies and do not hide that fact. Since we are taught as a society that babies are more precious than pets, they gave Do up to another home. The cat to the left of Do in the tattoo is "Do's shadow".

Not just any cat tattoo, Shawn's design is artistic, with clocks for eyes and machinery rumbling away in Do's insides.


Shawn also has ink on his back, one leg, and arms (including a sleeve).

This piece was tattooed in 12-14 hours by Davie mac at Davie Mac's Tattoos in Niagara Falls, New York.

Thanks to Shawn for sharing Do with us here on Tattoosday!

Sunday, May 23, 2010

Tattoosday Goes To Hawai'i - All in the Family, Part 4 (Lehua's Eternal Tribute to Poppa John)

Closest of my Hawai'i nieces and nephews is Lehua who, in essence, is a third sister in my Hawai'i ohana. My wife and I had the tremendous honor of  Lehua dancing hula at our wedding reception in 1995, which many guests still recall as the highlight of the post-ceremony festivities.

In honor of Poppa John, who passed away suddenly on the fifteenth anniversary of our wedding and that memorable hula, Lehua had this touching memorial inked on her foot:



Lehua explains that this infinity symbol represents eternity in the context that Poppa John will be remembered forever.

What I love about this relatively simple design is that each circle contains an astrological sign, giving more significance to the tattoo.

Looking at the photo, the sign on the left is Gemini, and the sign on the right is Sagittarius. The Gemini sign represents Lehua's son Raycn (Poppa John's great-grandson) and, of course, Sagittarius was the sign of Poppa John. The tattoo thus bridges four generations and is a reminder of the eternal ties that will carry on the memory of John Ferreira.

Coincidentally, Raycn shares the same sign as my mother (his great-grandma), Diane, whose birthday happens to be today, May 23. So, even though I know the meaning for Lehua is the link between John and Raycn, through Lehua, I interpret a second unintended meaning: the love of John and Diane, woven together, 25 years in this world, and the rest of time beyond.

The tattoo was inked by Nick Nakashima at Heart & Soul Ink in Waipahu, Hawai'i.

Thanks to Lehua for sharing her tattoo with us here on Tattoosday!

Previously in the Tattoosday Goes to Hawai'i - All in the Family series:

Part 1, A Preface
Part 2, Keali'i's Sleeves
Part 3, Ikaika, In Progress

Saturday, May 22, 2010

Tattoosday Goes to Hawai'i: In Nomine Patris

On my last day in Hawai'i, I was at Pearlridge, when I spotted a guy walking through Borders. The swirling script on his inner left forearm grabbed my eye:


This Latin phrase, "In nomine Patris, et Filii, et Spiritus Sancti " translates to "In the name of the Father, the Son, and the Holy Spirit".

Dustin, who serves in the Navy, is a Catholic, and he wanted something that expressed his faith. This is one of his three tattoos.

The tattoo was inked by Jeremie Miller at 3D Ink Tattoo Studio in Pensacola, Florida.

Thanks to Dustin for sharing his tattoo with us here at Tattoosday!

Tattoosday Goes to Hawai'i: Dottie's Tribute to Daddy

On my last day in Hawai'i I had some time to kill before my flight. I wanted to stay close to the airport, so I headed over to Pearlridge Center to do some last minute shopping.

One of the first people I met was Dottie, a Kentuckian who had moved to Oahu.

She had this touching tattoo on her calf:


It is a memorial piece for her father, who was a constable back in Kentucky. Sadly, he was killed in the line of duty in 1984. The rose is part of the shield he wore and she incorporated it into the tattoo design.


Thanks to Dottie for sharing this emotional tattoo with us here on Tattoosday.

Update: Dottie has filled me in on some missing details.
 
The tattoo was inked at Big Daddy's Tattoos in Elizabethtown, Kentucky. She also wanted to clarify that the shield with the rose is the symbol for the National Law Enforcement Officers Memorial Fund and encourages people, if interested in the memorial, to visit the website here.

Friday, May 21, 2010

Tattoosday Goes To Hawai'i - All in the Family, Part 3 (Ikaika, In Progress)

Continuing with the mini-reunion, of sorts, with my family in Hawai'i, back in April, let's visit with my nephew Ikaika. If seeing my nephew Keali'i for the first time in 18 years was a trip, then talking to Ikaika was an all-out exercise in time travel, it seemed.

Ikaika, to my memory, was a toddler, barely a kid. Or, at least that's how I last remembered him. Now, he is an adult, and he remembered who I was, much to my amazement.

He shared his work in progress, a traditional-style Hawaiian pattern tribal sleeve, here:


This sleeve represents about twelve hours of work, all done by George "Keoki" Davis at HippoGrafix.

Ikaika also shared this hannya mask on the back of his calf, courtesy of "Tattoo Mike" Higuchi at Dark Side Tattoo in Honolulu:


Thanks to my nephew Ikaika for sharing his ink with us here on Tattoosday!

Previously in the Tattoosday Goes to Hawai'i - All in the Family series:

Part 1, A Preface
Part 2, Keali'i's Sleeves

Thursday, May 20, 2010

Victor's Homage to Kathy Olivas's Misery Children

Here at Tattoosday, the general rule is not to approach someone about a tattoo unless we can actually see the majority of the piece. Often, you can tell someone is inked based on design elements peeking out from under clothing. However, it seems to be in poor taste to ask someone about their work when you can't even see what it is.

Of course, there are exceptions.

For example, when I spotted Victor popping into an ATM vestibule at 7 Penn Plaza, I only saw a flash of color on his upper right arm, but I had a hunch it would be great.

I was right.

Victor is a fan of the artist Kathie Olivas, a multi-media artist who, among other things, has created the Misery Children. Check out the collection of her characters that he has circling his arm:






Victor followed up our meeting with an email that described Ms. Olivas's work, quoting from her website:

The tattoos are based on Kathie Olivas's artwork, her paintings and studies. "Sugary treats, dichotomous dreamlands, and the cute and corrupted all find their way into the brief calm before the rebellion that feature Olivas's series of characters known as the misery children."

This series of paintings and custom figures "focuses on imperfect characters that parallel" a vision of "post-apocalyptic conformity, uniquely documenting their own stories in a mysterious brave new world."

"The cast is inspired by early American portraiture that often depicted children as small adults in an idealized new land...They evoke a sense of temporality; [in which] childhood serves as a starting ground, a place where things begin." They also "personify 'cuteness' as more of a representation of projected innocence."

Victor's misery children were tattooed by Jose Soto at Inkstop Tattoo NYC.

Thanks to Victor for not only sharing the tattoos with us here on Tattoosday, but for introducing many of us to an exciting pop artist.


You can see more of Kathie Olivas' work on her cool website here.





Wednesday, May 19, 2010

Strange Festivals and Crazy Celebrations

Almost as good as "The Festival of the Freshwater Squid" (see here)

As one travels the globe and observes the variety of fairs, festivals, and frivolities, it becomes clear that: 1) the concepts of "weird, strange, bizarre" are really in the eyes of the beholder - and 2) that all humans, no matter where we live, are more than just a bit bonkers.


Making a big deal out of "throwing things"

Although human behavior doesn't vary much, the methods of public celebrations certainly do.

For some baffling reason, for instance, people like to throw things. And depending on the country, what they throw is likely to be different. In Binche, a small town in Belgium, the projectile of choice is a fruit. On Sunday, Monday, and Tuesday before Ash Wednesday Binche the town is visited by masked figures called Gilles who – later on in the festivities – carry large baskets of oranges through the town. Many of these oranges are calmly, orderly, handed to residents as well as tourists. Others, though, are rather vigorously … well, thrown at wary residents and unfortunate tourists.
Another "Battle of the Oranges", in Ivrea, Italy:
Meanwhile, if you happen to be in Buñol, Spain, on the last Wednesday in August, you also might want to duck as the fruit thrown there – while not as hard or potentially damaging as an orange – can still sting a bit. What's fun about La Tomatina at Buñol isn't just the hurled tomatoes but that the town, which normally has a population around 10,000, swells to closer to 60,000 as folks from all over come to throw -- and get thrown at.




Other Splendid Festivities

Fortunately, not all festivals in the world include hurled objects. Some just have unique themes. Japan's Hōnen Matsuri is a fertility festival, uniquely celebrated in the city of Komaki. By unique we mean prodigious, tumescent, large, and … okay, enough with the jokes, especially since the object of the fertility being celebrated is that certain part of the male anatomy. A similar festival is also held in Kawasaki, called Kanamara Matsuri. See images here - warning, nsfw.

While nothing is thrown, and nothing terribly phallic is evident, there's a festival that absolutely has to be mentioned: an event featuring tremendous beauty that ends with ashes and smoke.

Around the middle of March, the city of Valencia, Spain, has a festival called Falles – a celebration of Saint Joseph. But long before the Falles, Valencia, the third largest city in Spain, begins to prepare: neighborhoods and a wide variety of organizations form groups called Casal Fallers who raise money for their own contributions to the festivities.

It's these contributions that make the event so incredible. Each group – working from a common theme selected for that year – creates a ninot, or puppet. Fashioned from paper, wax, Styrofoam, and a few other materials, ninots are whimsical, outrageous, profane, comical, political, and every one is incredibly beautiful.
The artisans of Valencia have had a very long time to perfect their craft, and it shows in each and every ninot (see a whole bunch here). Each figure and tableau is a hallucinatory mixture of a Renaissance masterpiece and a three-dimensional cartoon. Each one, too, is frequently a wildly executed satirical jab at everything from politics to tradition, from pop culture to the Falles celebrants themselves. Nothing is sacred, nothing is spared.


If you happen to be in Taihape, New Zealand, things will be flying through the air but none of them – at least as far as we know – have been thrown at anyone. Nevertheless, a festival where people try to throw a gumboot as far as possible could pose some risks to passersby and participants alike.
A landscape nearby is seemingly made to be explored in these gumboots (provided you can catch some free ones):
"Oni wa soto! Fuku wa uchi!" are words you might want to keep an ear open for if you're in Japan during Setsubun, and happen to see a member of your household holding a handful of roasted soybeans. Mamemaki is the term for it, and "Oni wa soto! Fuku wa uchi!" ("Demons out! Luck in!") is what is traditionally said before the beans are thrown out the front door – or at another member of the family (maybe even at the house cat):

If you happen to be in India during Holi, the festival of color, you also might want to avoid wearing your best suit of clothes. As part of the celebration, a brightly dyed powder called abir is merrily thrown everywhere – and especially at each other.


Then come the fires, and then the ashes. Yes, you guessed correctly: each and every minot, every figure and tableau is lit – exploding into the night sky in a roaring conclusion called La Cremà. In the morning there is nothing but ashes, and the memory of the wonders of the falles.

Boryeong Mud Festival, South Korea:


One of the weirdest festivals of all time - El Colacho in Spain. On this occasion grown men are jumping over the new born babies. Yes, very carefully (mothers do not seem to protest). They do it to get rid of any unknown evil spirits that might hide in these babies:
Cheese Rolling, Cooper's Hill, Gloucestershire, England:
Chocolate Festival in Kiev, Ukraine (with a huge chocolate fountain on the left):
Prayer for rain during Varuna Yajna ritual, at Sankara Mattham, India:
Lorraine Mondial Air Balloons Festival in Chambley, France:
Gothic and Steampunk Festival in Leipzig, Germany (Wave-Gotik-Treffen, WGT):


A neat little dance at the Kasedori Festival (a fire-prevention festival) at Kaminoyama, Japan:
 
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